S Word: Stanislavsky Last Words schedule

Friday 11th November

15.00 onwards	Registration Opens	Foyer
17.00 – 17.45	Book Launch for The Routledge Companion to Vsevolod Meyerhold: Jonathan Pitches and Stefan Aquilina.	KAFE DAMU
18.30	Opening (PF/JH)	DISK Theatre
19.00 – 20.30	1st Keynote Address: Prof. Maria Shevtsova	DISK Theatre
20.30 – 21.30	Reception	DISK Foyer

Saturday 12th November

Location	Haller Hall	Room 222
09.00	Papers Session 1 09.00 – 10.30 Evi Stamatiou: The working-from-home screen actor prepares. Jon Weinbren: Uncanny Resonances: Stanislavsky, Active Analysis and AI-Assisted Image Creation | Synthesising the Obraz (character, image, representation). Inga Romantsova: The use of intuition and subconsciousness in the actor's training and preparation for the role in Stanislavsky's final teaching.	Workshops Session 1 09.00 – 10.30 09.00 – Michael Holdsworth: Given Circumstances workshop 09.45 – Matthieu Bellon: Towards a practice of Scales for the actor
10.30 – 11.00	Break	Break
11.00 – 12.30	Papers Session 2 11.00 – 12.30 Julian Jones: Emotion/Language and The Meisner 'Repetition Exercise. Ewa Danuta Godziszewska: "I loved the theatre until you came along!"" Stella Adler's meeting with Stanislavsky. Virginie Magnat: The Stanislavsky-Grotowski Lineage	Workshops Session 2 11.00 – 12.30 11.00 – Deepak Verma: The Yoga of Acting 11.45 – Conrad Alexandrowicz: Tactics and Action Drives
12.30 – 13.30	Lunch break
13.30	2nd Keynote Address: Prof. Sharon Carnicke
14.45	Papers Session 3 14.45 – 16.15 Rick Kemp: The Secret of Action: Advancing actor training through a cognitive exploration of Stanislavsky's Active Analysis. Michael Shipley: Active Analysis in the Beginning Acting Classroom. Melanie Beddie: Activating the psycho-physical imagination in contemporary student bodies	Workshops Session 3 14.45 -16.15 14.45 – Joelle Re Arp Dunham: Active Analysis for the Beginning Actor 15.30 – Stephen Atkins: Crosspoints: An Integrative Acting System
16.15	Break
16.30	Papers Session 4 16.30 – 18.00 Jakub Korcak: The Poetry of Pedagogy by Maria Osipovna Knebel - Experience of Active Analysis in the pedagogical process. Simone Shuba: Affective Memory and Action.	Papers Session 5 16.30 – 18.00 Michaela Antoniou: Echoes of the Master. Stanislavski and the Russian Acting and Directing Tradition in Twenty-first Century Greece. Alexandra Rychtarčíková: Act like the ancients, feel like the ancients. Viktoria Volkova: Stanislavsky, Toporkov and two great Olegs.
18.00 – 19.00	Dinner break
19.00 – 20.30		Special Guest Workshop: 'Hear, Now, Today: Active Analysis for the Working Actor' Prof. Bella Merlin

Sunday 13th November

Location	Haller Hall	Room 222
10.00	Papers Session 6 10.00 – 11.30 Lukáš Rieger: Stanislavsky's Tradition in the Teaching of Acting at JAMU. Martina Musilova: "The Comedian's System" - Vladimír Gamza, an alumnus of the First Studio of MCHT in interwar Czechoslovakia in the 1920s Zuzana Silova: Radovan Lukavský and the legacy of K. S. Stanislavsky.	Papers Session 7 10.00 – 11.30 Diego Moschcovich: Is everything lost? — Stanislavski's last class at the Opera-Dramatic Studio. Marie-Christine Autant-Mathieu: The ambiguities of Stanislavsky's last rehearsals (1934-1938). Tomasz Kubikowski: Stanislavsky's failed Bildungsroman
11.30 – 12.00	Break
12.00	Papers Session 8 12.00 – 13.30 Oleksandr Klekovkin: Ukrainian Theatre Schools and Stanislavsky: History of perception and entry of Stanislavsky's Method into theatrical practice and pedagogy of Ukraine. Mykola Shkaraban: Konstantin Stanislavsky and Les Kurbas: Recurring and contradictory principles of methods. Bohdan Kozak: Oleksandr Zagarov's Theatrical Directorship as a factor in the dissemination of Stanislavsky's System in the Theatre Culture of Western Ukraine (1921-1925)
13.30 – 14.00	Break
14.00	Jean Benedetti Memorial Lecture: Prof Rhonda Blair Linguistic Bodies: Stanislavsky's Last Words and Cognitive Science.
15.30 latest Finish